How To Download And Install 'Cool edit pro 2' [FULL FREE VERSION] - 4/26/2009 There is a very old shareware version of Cool Edit from 1996, Cool Edit 1. There are a few out there. I used SpinAudio's free VST-DX Wrapper Lite. Cool edit pro 2 0 free download - Cool Edit Pro, Pics 2 Frames Pro - Edit.

Counting Crows This Desert Life Rarely Provides. Project-studio musicians and engineers looking for pro workstation functionality in an easy-to-use package are often faced with a daunting host of sequencers on steroids, so it's refreshing to come across a piece of digital audio software that's full-featured but not as difficult to embrace. Syntrillium Cool Edit Pro 2.0 has been a preferred tool for amateur musicians since its days as shareware, but the latest update of the product is sure to broaden its user base considerably. The principal enhancements in version 2.0 include a significant bump in the total number of tracks possible (up to 128 from 64), looping tools, real-time effects and EQ (to include track busing), a new mixer window and limited MIDI support. Top that off with audio resolution support to 32-bit, 192kHz. At $249, what was once viewed as a package for mostly entry-level users now moves into the pro arena. Installation is as much of a breeze as you'd expect from any 21st-century application, and once Cool Edit is up and running, its interface is one of the simpler to navigate. Users can switch between Edit and Multitrack views by clicking on the Toggle switch in the upper left-hand corner of the display beneath the File menu (see Fig.

The Transport buttons (Stop, Play, Pause and so forth) located at the lower left side of the display may no longer be in demand with the arrival of Syntrillium's new Red Rover USB controller ($129, sold separately). RED ROVER, RED ROVER Cool Edit users who opt for the Red Rover controller can now set their recordings in motion from as far away as 10 feet from that unmusical keyboard-and-mouse combo. Not much smaller than a standard VHS videotape, the Red Rover duplicates all of the standard transport controls and adds a few extra useful elements to the design.

You can not only add cues; activate the metronome; or solo, mute and record a track but also select which track you are working on and monitor Cool Edit output levels. After I plugged the Red Rover into my Windows 2000 box, my system instantly recognized it, and it caused no noticeable conflicts with any other USB device. If your project studio is a dust-infested rat's nest of cables, you will also appreciate the Red Rover being able to draw its power from that USB connection, eliminating the need to add one more AC adapter to your rig.

You can even extend the functional distance of Red Rover from the host PC with the use of a USB extension cable or a third-party hub — meaning that any member of your live ensemble could set Cool Edit in motion from the farthest reaches of your rehearsal space. Unlike many controllers that favor a mushy, soft pad design, the Red Rover provides a firm and resounding click when you punch one of its transport controls.

One improvement to Red Rover's design, however, might be added flexibility in the incremental adjustment for the volume controls. If you find that Red Rover doesn't quite cut it for you, the new breed of Mackie Control MIDI controllers will soon support Cool Edit at a more upmarket price. In terms of its traditional elements, Cool Edit remains a rock-solid sound-editing tool that rivals more fashionable products such as Sonic Foundry's Sound Forge. Multiple undos and nondestructive editing (until a file has been saved) combined with real-time previews of applied effects made my editing sessions move along quicker.